Writer,
Photographer,
Award-winning Filmmaker
Recent Projects:
The Alaska Current: Photojournalism
Pieces from my current role on an environmental justice, arts and culture, and sustainable tourism beat in Southeast AK.
Currently on a Arts Reporting Grant from the Alaska Center for Excellence in Journalism to cover printmakers across Southeast Alaska (winter 2026)
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For Meghan Chambers, Beginnings are Coastal
Published: Jan 2026
Drifting down her path along the beach, Meghan Chambers stops mid-sentence with her left ear cocked upward. It’s a unique morning in Juneau, with inverted clouds teasing the peaks of nearby Sitka spruce trees. This morning, like many others, Chambers stays close to what she considers home: the shoreline.
“Canadian geese,” she says, waging guesses with her eye line on where they are. Moments later, the flock sprinkles into view from above the canopy making their way southwest – perhaps aiming towards Baranof Island, where Chambers herself spent the majority of her childhood.
Surrounded by her son Charlie and rescue pup Woody, morning walks on the beach remind printmaker Meghan Chambers of the time she spent as a child tidepooling on the coastlines of the remote fish hatcheries where she was raised. Photo by: Rachel Levy
PAHs, heavy metals and nitrates (all present in scrubber washwater) can bioaccumulate up the food chain and lead to cancer in marine mammals like killer whales. Photo: Rachel Levy
The Scrubber Loophole in Alaska's Cruise Industry
Published: Dec 2024
The scrubber washwater, the mixed solution of sea water and exhaust contaminants, must go somewhere. In the case of the majority of large ships (larger than 1,000 passengers) that come to port in Juneau, it’s going directly into the ocean. Air pollution was swapped for water pollution, and is touted as an environmental success by many of these companies.
“Instead of cleaner fuel, they’re now using this fundamentally unsound approach,” Brakel said. “They’re taking this air pollution, and instead of burning cleaner fuel, they’re now just dumping this stuff straight into the water. It’s a serious problem, the studies were never done. They never did the due diligence to understand what the impacts to waters really would be around the world, and certainly they never did that work in Alaska.”
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The oldest original lighthouse in the state, it’s also the only remaining structure of its kind with an octagonal frame. Photo by Rachel Levy.
History, Mystery and the Long-Awaited Revival of Eldred Rock Lighthouse
Published: August 2025
From Juneau, the nearly 60-mile ride up the Lynn Canal to the lighthouse begins at the Marine Exchange of Alaska, a nonprofit Captain Page founded to enhance maritime safety through real-time information and vessel tracking. During the two-hour jaunt, Captain Page will share stories of his Coast Guard days, long kayaking trips and the many sailboats he’s owned — or wants to own. If he is lacking in anything, it’s certainly not stories of time spent out at sea.
“I first came across Eldred Rock when I was helping the Weather Service get there to maintain their weather station,” Captain Page said of his initial interest in the lighthouse. “I went to the island and thought it was pretty amazing, but wondered why no one was paying attention to it.”
My Mother's Bones: A Story of Tales
A book of 10 original folktales and 10 original prints written and carved during a 2025 art residency in Portugal. Broadly intertwining themes related to women and the environment -- a larger exploration into the mythologies we tell and the roles folklore and mythology shape our understanding of the world.
This series started out as a way to question and change the roles women usually get to play in folklore and mythology. This was my first experience writing fiction and it quickly turned into a way to fictionalize and process many events and experience from my own personal life. This was part of a larger show in collaboration with printmaker Alex Bookless at the Juneau Arts and Humanities Council Gallery in January 2026.
Edible Alaska: Spunk, Guts, and Good Kelp Farm Days
A feature article in Edible Alaska profiling Sea Quester Farms, a kelp farm based in Juneau, Alaska.
Spunk, Guts, and Good Kelp Farm Days
Published: May 2025
It takes few forays out on the water in the company of kelp farmers to pick up on the particular flavor of spunk, guts, and daring they bring to the region’s mariculture. According to Sea Quester Farms co-owner Olivia Duner, in Juneau, on any given day, one thing is certain: “It’s always a good day on the farm.”
This mindset is indicative of the tenacity that Duner and her partners, Jonny Antoni and Ozzie Beery, bring to the kelp scene. In this relatively new world of ocean vegetable farming, tried-and-true procedure is still being, well, tried.
Stories of Sealaska:
A project to share first-person Native Alaskan experiences through Sealaska Corporation. Responsible for portrait photography and subject interviews. (2023)
“I didn't have much of an education. I went as far as third grade. It was unbelievable what happened to me: My language was taken away from me. That part is pretty hectic. My parents wouldn’t let me go back after what happened. What’s that word, when you’re mistreated? Trauma. Yeah, trauma.
When I was young, [the missionary teachers] would come and hit me on the back of the head. They wanted me to talk English and it was bad. When I got punished [at the school for speaking Tlingit], I didn’t want my grandparents to see me so I hid away under a house for four days. My uncles eventually found me under there and grabbed and brought me out.
Now things are affecting me and I’m starting to lose my memory. I have to write down my phone numbers and I even forget my own daughter’s name. I have an indent [on the back of my head], and I asked the doctor, I said “Doctor, why is the back of my head in like that?” He asked if I fell and hit my head when I was a boy, and I said no but I remembered the teachers."
Joe Johnson
Tlingit Elder
"I grew up with my grandparents and growing up in Hoonah (Xúna) I was almost ashamed. I mean, I did feel ashamed. I felt ashamed that I grew up with my grandparents because Western civilization says you need to live in nuclear families, right? And a lot of my friends and some of my cousins had moms and dads that they grew up with.
Growing up with my grandma - she was always so old fashioned, and I hardly got to spend the night out because my grandma was so strict with me. I always thought, everybody else has moms and dads and I have grandma and grandpa and I felt ashamed.
Later on is when I realized, you know, [that you shouldn’t feel] upset about where you live. Historically, we lived in extended households; we lived in clan houses. That's how we helped each other. That's how we did all the work together: "wooch.éen,” we work together. And so that's when I realized how lucky I was to grow up with my grandparents. And now I can share things like this, the things I was exposed to all my life. I can't imagine if I wasn't, I wouldn't be as exposed to my culture as I am."
Michelle Martin
Tlingit Teacher
“I had two great gals in my life, [one of which was] my grandmother. She taught a lot about our heritage to my brothers and I. She taught us some songs and dances, as well. Women are held up in high regard in Tlingit culture because that’s where the children learn about their heritage and that’s a pretty darn good reason.
It’s been 40 years of doing my art and of sharing it with people that are my tribal relatives. I like that probably most of the images that you see here were learned from my mother and my grandmother.”
Israel Shotridge
Tlingit Artist + Master Carver
“I am Tlingit, Yéil (Raven), L'eeneidí (Dog Salmon) from Sheey At'ika. I’ve been helping people with repatriation of human remains, like from Carlile and other places. I help families - it’s a healing time that we live in and our ancestors are mourning to come home, so I’ve dedicated my life to find lineal descendants and to letting them know where their loved ones are located. I leave it up to them on what they want to do because it’s ultimately their authority - their inherent right.
We are healing together; this is a healing time that we live in, and we are healing each other and we are putting our regalia back on. We were never intended to live without our culture; never intended to walk around like a wounded warrior.
We’ve got our power back and we’re using it. We’ve got our voice back and we’re using it. And we’ve got our strength back and we’re using it.
I am Tlingit. 'Tlingit' means 'human being'. So I am a human being, just like you.”
Bob Sam
Tlingit Advocate
"It's January, and I'm walking and looking for hemlock trees, just the right kind of hemlock trees. Sometimes I lay on the ground and watch the web of the hemlock tree. And I ask the tree: Are you born to feed the people? And I can feel it [the answer] right away. If the tree says yes and gives permission, I will remember that tree and come back. Sometimes trees shake a little bit, and they're not quite ready; other trees say that their time has passed; other trees just sway and move and swirl. And it's like that's what they were born for.
Each tree has a spirit and you're asking for the spirit of that tree and to take it from its family where it's rooted at. That is something that is done with much care and there are Tlingit protocols to that. So as we select the tree people, or as they select us, we're looking for a particular kind of hemlock tree. When we find that hemlock tree we come back through prayer, and we retrieve the tree. So right now is the time of preparation of our buoys, our rocks, our ropes, our gas, and especially our boats; we really need to make sure that our boats are in order. But it's also a time of spiritual strengthening and physical strengthening after the holiday season. We strengthen our body, we do our best to refine our spirit, and today we take a deep breath: because we're warrioring up."
Paulette Moreno
Tlingit Elder + Herring Protector
}I came up during the time where the language was forbidden. My grandmother spoke Tlingit, she didn’t know much English. My mother was very angry about it, and I know she was angry about it because she forbid us to speak it. But it was never explained why.
My daughter asked me one day, “Are we ashamed of who we are?” I said, “No.” She said, “Well, you don’t talk about it,” and it got me to thinking. So that’s when I started working with the language.
I feel it's very important to me and my children and grandchildren because it's part of our culture. And it's part of who we are. And when you would wear a [traditional] blanket [with regalia], you would come in backwards because you would be showing them who you are. Years ago, all they had to do was hear your name and see what you wore, and they knew who you were. Nowadays, we don't know that and that's kind of sad.}
Anne Johnson
Tlingit Elder + Language Keeper
Hidden in Plain Sight:
“Hidden in Plain Sight" is a short documentary that shines a light on a rarely discussed aspect of the safari industry, uncovering the pervasive economic leakage and exploitation perpetuated by foreign-owned companies across Tanzania. I produced and directed this award-winning film and it is currently in the film festival circuit. (2023)
Portraits, Women in Tanzania
While working for the DARE Women's Foundation on a post-graduate fellowship from Harvard, I did a portrait series with the women benefitting from the NGO and helped them to share their stories with potential donors. (2022)
Rachel Levy
Currently living in Juneau, Alaska, my work centers on the intersections between environmental justice, modern colonialism, and sustainable food production.
